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(Shane Lavalette, Alec Soth, and Corinne Vionnet.)
a photography blog, where the "subject" in contemporary fine art portraiture is discussed, represented, gazed upon, thought about, linked to, photographed, questioned, personified, objectified, idealized, commented on, rephotographed, interacted with, gallerized, imagined, pygmalionized, storied, stripped, redrawn, blinked at, analyzed, admired, stumbled upon, half-perceived, retreated from, disdained, recreated, considered, etc., from a subject-oriented position. maybe.
In my current and on-going body of work, All I Want, I explore the push and pull of intimacy and the awkwardness of desire. Through my series of portraits I play with and examine the fantasies, obsessions, myths, and stereotypes about longing.
I am drawn to the way our bodies tell stories of confidence, self-consciousness, or humility. Through photography I look at rituals of adornment and gesture—the way we create and display ourselves for others, and how we define ourselves based on how desirable we think others find us.
The images I capture in All I Want recreate and document the innocence and complexity of my subjects, questioning the intricacies of sexuality that are undefined, and even celebrate this ambiguity. -Sarah McKemie
"If you didn't know any better, you would think that Ettlinger's pictures were deliberate antitheses to earlier book-jacket photographs, something like the 19th-century French realists reacting to their romantic predecessors--only in reverse."(and, more provocatively:"A portrait's function is to have no function except the representation of the subject.")
"Ettllinger [sic] is a good photographer. But there is something off-putting about her relentless effort to make authors look like, well, Authors."
"A well known photographer once told me that an extremely well known and influential gallerist had told him that the road to success was to find one's niche and then to simply produce work that way (think babies in "cute" dresses or Weimaraners or overly Photoshoped celebrities or whatever else you can think of). I suppose that works nicely if seen with the eyes of someone who knows how to sell work--after all, what appeals to people (and thus sells nicely) today should do so tomorrow, right?But as someone interested in art as somebody's personal expression, it strikes me as listening to music where the record is stuck on the player..."
"The long exposure compresses image and text, selectively highlighting certain aspects of the information conveyed by the book while obsuring other information the same way that the human mind selectively remembers or forgets certain images or ideas. Mathias' images reveal an internal existence of books which cannot be viewed in real time, but only expressed through photography's ability to compres time into one static image."